Co-Creative Direction, Edit, Animation

Production Co - Subtext

Infographic piece with designer Matthew Bennett on creating the Windows Calendar alert sound, and the future of sound design in general.

Design/Animation, Edit

Production Company - All is Well

Design/Animation, Edit

Production Company - All is Well

Direction, Edit

My partner is from Japan and we moved back to Tokyo several years ago. I worked at a motion graphics studio there, and I got to direct this short piece as an add on to a larger budget piece we did for the band antenna girl.

Co-Animated with a team

Creative Director - Thai Tran

Production company - Loaded Pictures

Creative Direction, Edit

Production Company - Subtext

Design, Animation

Production Company - World Famous

Creative Director, Edit/Animation

Production Company - Subtext

VFX, SIM UI, Roto

Production Company - Curator Pictures

Motion Graphics and Maps support

Stitching, light VFX

Production Co - Curator Pictures

Traditional multi-pass 3D Compositing

Production Company - Superfad

Direction, Edit

Quick personal project for my electronic music side with some found family footage. Still makes me cry to think about it. My partners dad passed away from ALS recently, and it completely changed my life. Happy to talk about it sometime…

Me - 3D + Compositing

CD - Dan Brown / David Viau

Production company - Oh Hello

Design/Animation of End Credits sequence for ending of Infamous 3: Second Son

Concepting and release was done before the release of True Detective which had a very similar style.

Thanks to Sucker Punch for letting me play with these for the 3rd time. Always a pleasure. Amazing folks. xxx

While I was working on cutscenes at Sucker Punch on Infamous 3: Second Son, I talked them into letting me shoot around the office. I ended up really enjoying the chance to cut this and see it used by Sony on the marketing push. I loved the section where Horia and the other designers are making mouth sounds for explosive powers. Thanks again Sucker Punch

While I was working on cutscenes at Sucker Punch on Infamous 3: Second Son, I talked them into letting me shoot around the office. I ended up really enjoying the chance to cut this and see it used by Sony on the marketing push. Thanks again Sucker Punch

Comedic string-out of outtakes for laughs.

IGOZZO was where I worked while living in Tokyo, so of course I wanted to make a weird little ident for them. I miss those days!!

Design/Animation

2012/13 lived in Japan, and this feels like maybe the most bizarre thing I worked on. Earlier days of simulated UI. Makes me laugh every time I see this now. Take me back to those days though…

Personal project made for my partner’s nursing school graduation. Meant kind of a lot to make this for them.

Animation/Compositing

Production Company - Sucker Punch

These were made back in 2007/2008. So glad I got to spend time out at Sucker Punch. Some great memories, and ended up working on cutscenes on all 3 infamous titles, as well as being the defacto end title designer which was a blast

Animation/Compositing

Production Company - Sucker Punch

These were made back in 2007/2008. So glad I got to spend time out at Sucker Punch. Some great memories, and ended up working on cutscenes on all 3 infamous titles, as well as being the defacto end title designer which was a blast

Animation / Composition

Direction/Production Company - Feel Royal

One of the first spots when I was just starting out, made with an old friend for an old (quite literally named) show.

Experimental title design

Early work. Way early work! 2006!! Fun times, and good peeps though.

I helped with design and compositing on the final title card

Direction - MILK (Sean Pecknold/Matt Daniels)

good old fashioned abstract 3D stylings

for real though, thank you